"Hartmut Haenchen, who has laboured valiantly to reconstruct some of the music here from scores rendered almost indecipherable by damp (the example illustrated is horrific)"...
"The chamber orchestra named after Friedemann's brother plays throughout
with splendid alertness and brio: it employs modern instruments, but with an awareness of eighteenth-century style
Lionel Salter#
Ganze Rezension