Opera News, 25. Januar 2015
... Haenchen and his modern symphony orchestra seemed to remember the composer’s German roots with a musical approach that looked forward not just to Berlioz but to Weber — a very different approach from the French early-music musicians who have claimed this repertoire as their own. It is easy to regret the lack of transparent textures and airy tempos but impossible not to admire the glowing generosity of Haenchen’s well-played Romantic take on the score.
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